– An unusual talent
– Four or five people I really cherish and seek advice from, they all told me I had to study under Grete Pedersen, says Yuval. – They did not say it would be good or nice for me, they said I had to come here. What I wanted was to work with professional singers on the top level. Working with them you can expect more of yourself. Working with Grete for hours, assisting her in the Soloists’ Choir, and being exposed for all this professional work, it has been a great experience. I receive so much support from her. I get a feeling that she believes in me. Sometimes that is all you need to know to move forward.
Grete Pedersen is an international name and has an international reputation. Students for many countries apply to conducting programmes at the Academy because of her. Admissions this spring saw eight applicants from an equal amount of countries. Yuval has no doubts about what her strengths as a teacher are.
– She is creative, I want to use the word inspiring, though everyone uses that word all the time. In the beginning, studying under her was pure inspiration. It was so different from what I knew before. Grete tries new things, and she has courage enough to break the rules. That is quite remarkable, because when it comes to choirs and singers on such a high level, one does not experience much rule breaking.
A conductor with natural authority
Yuval Weinberg started his musical studies back in his hometown Tel Aviv, and continued in Berlin, where he earned his Bachelor degree. He is a scholar of the renowned Dirigentenforum in Berlin, which has given him the opportunity to work with the Berlin Radio Choir and the choir at Deutsche Oper Berlin. He is artistic director for three ensembles, one in Berlin and two in Oslo; the Norwegian Chamber Singers and NOVA Chamber Choir.
Weinberg has already made a name for himself internationally, and has been booked for several prominent performances. This June he will assist conductor Bernhard Haitink in Mahler’s third symphony with the Bavarian radio choir and symphony orchestra. Next year he will conduct an a cappella concert with the Bavarian Radio Choir.
– Something changes in the room when he lifts his arms, says Grete Pedersen. – He has a special feeling for musical progress and compositional structures, and he learns new music very fast. As a conductor he has a natural authority and insight into the social interaction of a larger group seeking to perform together. He learns new languages easily, which of course is an advantage when working with a choral repertoire, and also an advantage when pursuing an international career. He will obviously get many job offers. Now he just has to figure out what is important for him and decide what will be his next step.