As part of his project Kullberg works with four Nordic composers namely Per Nørgård, Kaija Saariaho, Henrik Hellstenius and Bent Sørensen.
For each composer the project will be divided in two types of processes.
Transmogrification: to change in appearance or form, especially strangely or grotesquely
As a preparatory process each of these four composers have given Kullberg assignments that resemble transcriptions in nature, albeit rather impossible or at least less than obvious suggestions for transcription.
Impossible in the sense that the assigned tasks cannot be carried out simply by redistributing the musical components in a new way, or by doubling or omitting existing components. The idea is that each assignment from the composers forces Kullberg into a gray area that combines simple re-arrangement with actual composition.
Hence the idea to use the word transmogrification instead of transcription.
It is of key importance to the idea behind transmogrification, that Kullberg strive to be creative inside the framework of each composition and that he attempts to stay inside the style of a given composer.
The point with this process is to get deeper into each composer’s music and to start working with their musical material in a more creative way.
The idea stems from the experience of making such a creative transcription of Per Nørgård’s music in close collaboration with the composer.
The secondary process is the collaboration on the composition of new works by each of the four composers.
Here the idea is to attempt to meet somewhere in the middle and with each composer try to establish ways with which Kullberg creative potential can be utilised whilst still staying within each composer’s musical world.