An underlying aesthetic concern for this research is how the embodied aspects of sound making and listening function as sites of meaning distinct from symbolic or language-based modes of meaning formation.
The compositions on this program integrate voices, instruments, soundscapes, and synthetic sound sources through digital techniques, traversing corporeal energy, cross-sensory expressivity, and digital stasis. They will be presented via an immersive 2-D loudspeaker configuration in high order ambisonic format.
- stasis, self-present (2023), real-time synthesis
- Skin and Siren (2022), high order ambisonics
- Lightness in Transit (2021–22), high order ambisonics