Norges musikkhøgskole Norwegian Academy of Music
No En
Søk

Work-integrated Learning in the Music Academy

The Work-integrated Learning in the Music Academy (WILMA) project is investigating the ways in which higher music education (HME) Institutions offer professional placements to their students. How are these professional placement programmes implemented in European Conservatoires and Universities?

Over the last decade, HME institutions have come under increasing pressure to reform their curricula to equip musicians for ‘portfolio’ or ‘protean’ careers. There is a considerable amount of research evidence from Australia, Canada and the USA that work-integrated learning (WIL) can help students to develop the skills and attributes that will help them negotiate the ever more fluid world of work in music. WIL involves the integration of theory and practice and work-based experiential learning is an important component of this process, giving students opportunities to become self-reflective in their application of theoretical principles in a work context.

According to the Association of European Conservatoires, there are five dominant models of HME in Europe: Anglo-Saxon, Mediterranean, Continental, Central and Eastern European, and Nordic. However, there is little research on professional placements within these models. This project aims to fill this gap by looking at placement provision within each model from the perspectives of the academic institutions, students and professional partners.

Research questions and methodology

The central research questions are:
1. How are PLPL programmes implemented in European Conservatoires in terms of the diversity of placement partners, duration, status (credits, elective or core)?
2. What are the political drivers (e.g. utility of education towards ‘real work’ skills and employment) and educational drivers (e.g. personal, musical, intellectual development) of placement provision?
3. What is the pedagogy of professional placement programmes (e.g. preparation, support, assessment, learning outcomes)?
4. What do the professional partners require from HME students undertaking placements and what benefits do they expect to derive?
5. How do placement programmes influence professional partners’ practices?


Significance

The study may contribute to an increased understanding of the role of professional placements in higher music education in the European context. In turn, this could inform curriculum design and stimulate international dialogues within which institutions from the different European models of HME can learn from each other, in accordance with the ethos of the Bologna process.

Artikler relevante