With this concert, they aim to recreate the atmosphere of a Schubertiade or salon concert that could have taken place in the early 19th century. A part of the concert idea is to revive an old and forgotten tradition where a singer accompanies themselves, in this case on guitar, somewhat like a singer-songwriter would have done at that time. Additionally, they will perform significant portions of the repertoire on historical instruments to best recreate the atmosphere of a salon concert. The programme will consist of solo, chamber, and lied repertoire.
Programme
- Wolfgang Amadeus Mozart (1756–1791): Komm, liebe Zither, komm, K. 351 and An die Hoffnung, K. 390
- Joseph Haydn (1732–1809): An Thrysis
- Felix Mendelssohn (1809–1847): 3 Lieder ohne Worte
- Franz Schubert (1797–1828): An Mignon, D. 161
- Frédéric Chopin (1810–1849): Mazurka & Nocturne
- Johan Kaspar Mertz (1806–1856): Elegie
- F. Schubert: Fantasy in C Major, "Wanderer", D. 760
- Fanny Hensel (1805–1847): 2 Lieder
- Carl Michael Bellman (1740–1795): Fredman's Songs, No. 64: Haga
