Prospectus 2020
Study programmes
- KAUTKL - Bachelor of Music Performance – Classical
- UTBA - Advanced Music Performance One-Year Undergraduate Programme – Classical
- DIMA - Graduate Conducting Diploma
- MADIUT - Artist Diploma – Master of Music Performance
- MADI - Master of Music in Conducting
- MAKP - Master of Music in Composition
- MATE - Master of Music in Music Theory
- MAUM - Master of Music in Performance Technology and Electroacoustic Composition
- MAUT - Master of Music Performance
- UTMA - Graduate Performance Diploma – Classical
- DRGR - PhD Programme
- PHDKU - PhD Programme in Artistic Research in Music
- VUJZKOMP - Jazz Composition
Courses
- BARENS20/21 - Baroque ensemble
- BRUGIT20/21 - Applied Guitar – Improvisation/Figured Bass I/II
- BRUTREK20/21 - Applied Accordion I/II
- CBE - Christiania Wind Ensemble
- ENTREP70 - Entrepreneurship for Master's Students
- FOLKINST20/21 - Traditional Folk Music Instrument
- GITAR20/21 - Applied Guitar – Playing by Score I/II
- INSTVAR20/21 - Instrument Heritage I/II
- JAZZENS20/21 - Jazz Vocal Ensemble I/II
- JZSLAGEN20/21 - Jazz Percussion Ensemble I and II
- KUKD90 - The Artistic PhD Project
- KUMU90 - Artistic Research in Music
- KUNF90 - The National Research School for Artistic Research
- KUPD90 - Project – Specific Topic
- LM20 - Nordic Harmony
- MUHIST12 - Music History I
- NORSK21 - Norwegian language follow-up course
- OPERA20/21 - Opera Seminar
- PRØVESP20/21 - Audition Training I/II
- SSO - Ensemble Practice in Stavanger Symphony Orchestra
- TIMANI20 - Timani
- ØVING20 - Developmental Practicing Workshop
- - Elective Courses 2020
- BLIMPRO20 - Classical Real-Time Music for Winds and Percussion
- VALG05 - Valgemner
- VALG10 - Valgemner
- AKKREP20 - Accompaniment for pianists
- ALEX20 - Alexander Technique
- ANPRAK20 - Practical Analysis
- BARENS - Baroque Ensemble Ia
- BERBER20 - Berber - Cultural work in Morocco
- BEVEG20 - Movement for Musicians
- BFO - Bergen Philharmonic Orchestra
- BLENS20 - Wind Ensemble
- BRUGIT20 - Applied Guitar Ia - emphasizing improvisation/figure bass
- BRUGIT21 - Applied Guitar Ia - emphasizing improvisation/figure bass
- BRUGITUT20 - Applied Guitar for Classical Guitarists
- BRUKLA10 - Applied piano I
- BRUKLA20 - Applied Piano Ia - emphasizing improvisation/figure bass
- BRUKLA21 - Applied Piano Ib - emphasizing plying from scores
- BRUKLA22 - Applied Piano IIa - emphasizing improvisation/figure bass
- BRUKLA23 - Applied Piano Ib - emphasizing plying from scores
- BRUTREK20 - Applied Accordion I
- DIG10 - Digital Literacy for Musicians
- FOLKINST20 - Traditional Folk Music Instrument
- FOLKINST21 - Traditional Folk Music Instrument
- FORUM30 - Forum and Interpretation
- FRANSK20 - French
- FMHIST20 - Norwegian Traditional Folk Music History
- GEHØR10 - Aural training I
- GEHØR11 - Aural training II
- GITAR20 - Applied Guitar Ib - emphasizing playing from scores
- HISTHARP20 - Historical Orientation for Harpists
- IMPRO27 - Jazz Improvisation
- IMPSAMT20 - Improvisation-based Contemporary Music I
- IMPSAMT21 - Improvisation-based Contemporary Music II
- IMPSTUD20 - Improvisation in the studio
- INSTVAR20 - Instrumental variant (including historical variant of the student's principal instrument)
- INSTVAR21 - Instrument variation
- INTERC20 - Interpretation Practice in New Music (From ca. 1950)
- JAENS - Jazz Ensemble
- JZHO10 - Principal Instrument I
- JZHO20 - Principal Instrument II
- JZKOMP50 - Jazz Composition
- JZSLAGEN20 - Extended Ground Percussion Ensemble 1
- JZSLAGEN21 - Extended Ground Percussion Ensemble II
- KAKOR - Chamber Choir
- KAKOR20 - Chamber Choir
- KAMMUS20 - Chamber music II
- KAMMUS27 - Chamber Music I
- KAMMUS30 - Chamber Music
- KOMP26 - Composition for Ensembles
- KONSPRO20 - Concert Production for Bachelor Students I
- KONSPRO21 - Concert Production for Bachelor Students II
- KORLED22 - Choir Conducting
- KPKONS - Production Skills for Composers
- MPHO20 - Main instrument II
- MUSBI20 - Music in an International Aid Programme
- MUSTEK21 - Project Studio
- MUSTEK22 - Recording Studio
- MUSTEK24 - Introduction to Live Electronics: Ableton Live
- MUSTEK29 - Sound Reinforcement
- MUSTEK37 - Mix of Sound
- MUSTEK45 - Vocal Music Production
- NORSK20 - Norwegian Language Course
- ORATORIE20 - Lied and Oratorio Seminar
- ORGIMP23 - Organ Improvisation
- ORK30 - Orchestra
- PROPO20 - Professional Portfolio
- ROMINT20 - Song Interpretation
- SANG20 - Singing for Instrumentalists
- SATS10 - Harmony I
- SLAGENS30 - Percussion Ensemble
- SSO20 - Orchestral Internship Stavanger Symphony Orchestra
- STEFYS10 - Vocal physiology and anatomy
- TYSK20 - German
- UTHO18 - Principal instrument I
- UTHO20 - Principal Instrument II
- UTHO21 - Principal Instrument II
- UTHO23 - Principal Instrument II
- UTHOINST30 - Principal Instrument
- UTHOINST34 - Main instrument
- VOKIMP20 - Vocal Improvisation for Classical Singers
- KPKONS - Production Skills for Composers
- CEMPE20 - Student-Led Project
- DYRMU20 - The Music History of Animals
- ELEKTMUS20 - Experimental Electronic Music
- JZARR20 - Jazz Arranging
- JZBIRYTM20 - Jazz, Pop, Rock Secondary Instrument – Rhythm Section
- LIPIAN20 - Listening Pianist
- LYCHRO20 - Lydian Chromatic Concept of Tonal Organization
- LYTTEFOR20 - Listening Association
- MICRO20 - Microtonal Lab
- MUSARB20 - Music Activities for Children and Young People
- RÅ20 - Concert Series RÅ!
- ELEKTMUS20 - Experimental Electronic Music
- LYCHRO20 - Lydian Chromatic Concept of Tonal Organization
- LYTTEFOR20 - Listening Association
- IMPSAMT20/21 - Improvisation-based contemporary music I/II
- AKKREP20/21 - Piano Accompaniment I/II
- ATMAST70 - Master Thesis
- DIHO70 - In-Depth Instrument Training
- DIMAST70 - Master Project – Specialisation
- DISTUD70 - Conducting
- DISTUD71 - Conducting
- DISTUD78 - Conducting
- ECF20 - European Creative Futures
- FONSTE70 - Introduction to Phonetics and Voice Theory
- FORFOR70 - Research Forum
- GRLED70 - Orchestral Section-Leading
- KAMMUS70 - Chamber Music for Master Students
- KOMP29 - Composing for Ensembles
- KONSPRO70 - Concert Production for Master's Students I
- KONSPRO71 - Concert Production for Master's Students II
- KPKUNST70 - Artistic and Aestethic Seminar I
- KPKUNST71 - Artistic and Aestethic Seminar II
- KPMAST70 - Master Work
- MUSPER70 - Music in Perspective
- MUSTEK70 - Music Technology
- OPEHIST70 - History of Opera
- ORK70 - Orchestra – Additional Projects
- TEAN70 - Analysis I
- TEAN71 - Analysis II
- TEFOLK70 - Traditional Norwegian Music and its Theories
- TEHIST70 - History of Music Theory
- TEJAZZ70 - Jazz Theory and Arranging
- TEKMAST70 - Master's Project
- TEKOGN70 - Music Cognition and Aural Skills
- TEMAST70 - Master’s Project
- TEPART70 - Partimento and Counterpoint
- UTDIPLOM70 - Artist Diploma Project
- UTKOMP70 - Composition and Performance
- UTMAST70 - Master's Project
- UTMASTER73 - Master's Project
- UTMASTER74 - Master's Project
- UTMASTER75 - Master's Project
- UTMASTER77 - Master's Project
- UTMASTER78 - Master's Project
- UTPRO70 - Semester Projects
- UTPRO73 - Project Activity and Entrepreneurship
- UTREPINT70 - Repertoire and Interpretation
- UTREPINT74 - Repertoire and Interpretation
- UTREPINT75 - Repertoire and Interpretation
- UTREPINT77 - Repertoire and Interpretation
- UTREPINT78 - Repertoire and Interpretation
- UTREPINT79 - Repertoire and Interpretation
- UTREPINT90 - Repertoire and Interpretation
- VALG15 - Electives
- DRAVHA90 - PhD Dissertation and Disputation
- DRMET90 - Forskningsmetode
- DRVALG90 - Project Concentration Elective
- DRVIT90 - Philosophy of Science
- DRFORMID90 - Text and Presentation Forum
- DRINNF90 - PhD Introductory Course with Ethics
- ORGIMP51 - Church Organ Improvisation
- SANG50 - Singing